PS, also has a rather unique ‘hit point’ feature w/ pre-roll warnings etcĬould you explain why you think (or Know) this? I am genuinely interested in why Nuendo actually exists and even more so, why its better than Digital Performer 8 for Film Composition! Worth dropping in, asking questions, looking around. Ableton Live or Reason & rewire also works very well.Īl of that is briefly explained at e.g., ‘multiple sequences’, and ‘V-Racks’ MOTUNATION is an excellent independent forum thats been running for a very long time. Can see why people may use another more recognisable DAW like Cubase to prepare & fly things in. The history & approach has stuck a little. Has other features very unlike the standard DAW - MOTU goes way back to the 80s while Steinberg & Emagic were doing their thing in Hamburg, this was what was happening in Cambridge, MA. Be warned, it is quite quirky though, and the small font size /busy screen a bit annoying. i.e., Multiple mixers, a ‘Virtual Rack’, that is VIs and effects etc can be located within on a master rack, then which all sequences /songs may access (or not).ĭP8 is made for film - nothing like it, and for live performance for that matter, chaining songs, FX cues, lighting cues etc. When all the cues are finished, these can be ‘flattened’ into one contiguous sequence via ‘Song’ mode - if you wish, though not necessary.Įlsewhere, DP8 also mimics this kind of ‘independent’ operation, within a virtual ‘Studio’ if you like, independent from the ‘songs’ /instruments. These can be all set independently to start at their own timecode start locations, meter, length etc etc - completely without effecting each other. ALL other DAWS insist on one linear ruler /one project (with however many cues along this single timeline), PITA, given potentially shifting film edits, locations, sigs, tempos - anything earlier in the timeline can effect later, depending on a host of matters …ĭP8 allows for multiple sequences /projects within the one ‘Session’. The chunk list appearance has been improved at different list font sizes.Yes, MOTU call this ‘chunks’. In the Sequence Editor, MIDI mute automation data is now displayed as ramps, similar to audio mute automation.When using an articulation with a MIDI channel output, all channelized MIDI events are now played on that channel, instead of just notes.This allows quantizing of automation data. In the Custom settings in the Quantize window, you can now disable the Move audio effect plug-in automation with soundbites option, while keeping All selected in the filter pane.Importing MIDI files from MuseScore™ has been enhanced.When using the Merge Tracks by Channel command, and an instrument track is selected, MIDI data is merged into the instrument track.The Track Record Enable command (and similar commands that allow you to choose a track) now lets you enter tracks above 99 with numeric entry.When using the MCU single-fader plug-in, toggling the automation mode affects the "selected" track (or the last known selected track).
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